Activate social media for sharing. Data will only be sent via social networks with your consent.
Tell a friend
Write a review
Seen a better price?
MORE THAN 3.000 PRODUCT VIDEOS
Free Shipping from 199 CHF
3 YEARS WARRANTY
55.000 PRODUCTS READY TO SHIP
Burl B32 Vancouver
Analog summing even without a mixer
The Burl B32 Vancouver:
Analog summing amplifier with 32 input channels
Clean and clear sound with the possibility of saturation
8 mono inputs (D-Sub 25 Tascam)
24 stereo inputs (3x D-Sub 25 Tascam)
Double stereo XLR output for the sum
Power supply switchable between 110V & 220V
Discrete, class-A signal path without capacitors in the signal path (DC coupled)
2 matched rotary switches (0.1% tolerance) for volume control with grid in 24 steps
Switchable BX5 output transformer for pleasant analog sound coloration
Musical output transformers made of 1:1 wound nickel
Switchable additional function "Gain Boost" (+6dB) glues the Mix together and provides pleasant saturation reminiscent of analog tape
Equipped with the same proprietary operational amplifiers as the BDA8
Summing Amplifier with Switchable Transformer
The B32 Vancouver is a 32-channel summing transformer and uses Burl Audio's renowned fully discrete analog Class A circuitry. It delivers both the transparency of the B26 Orca and the switchable tonality of the Burl Audio BX5 output transformer.
The tape machine without tape
In addition to the switchable BX5 output transformer, the B32 Vancouver introduces a new concept in summing amplifiers: The Gain Boost (+6 dB). Combined with the BX5, the Gain Boost glues your mixes together in much the same way that analog 2-track tape machines were able to achieve through tape saturation back in the day. With 32 input channels and switchable tonality, the B32 Vancouver also makes your mixes bloom with depth, warmth and clarity.
Sound? Sound!!!
With the new Burl NextGen analog circuitry, the B32 Vancouver sounds better than ever. Equipped with the new BOPA14 operational amplifiers, the B32 delivers tighter bass and greater definition across the audio spectrum. Instruments and mixes sound more three-dimensional, with a wider stereo image and even more depth, while retaining the original shape and harmonic balance of the supplied mix.