Small diaphragm microphone with cardioid polar pattern:
For instruments & room recordings
Cardioid characteristic
High field-noise transmission factor
Balanced transmission range
No narrowband resonance overshoot
Modular design with interchangeable head system
Switchable pre-attenuation of -15 dB
High sound pressure (up to 140 dB)
Bass rolloff with 6 dB/octave below 250 Hz
Phantom powering from 11-52 V
Rated "VERY GOOD" by Delamar
Download Beyerdynamic MC 930 review
Excerpt: The beyerdynamic MC 930 - available individually or as a stereo set - is a very capable small-diaphragm condenser microphone, recommended for overheads, acoustic guitar and much more. It is suitable for ambitious and professional live or studio use. In addition to the ability for detailed, low-noise and natural-sounding recordings, it scores with flexibility. Thus, a pre-attenuation and a low-cut filter can be switched on.
With the MC 910 / MC 930 small-diaphragm microphones, beyerdynamic, the audio specialist based in Heilbronn, Germany, introduces two new small-diaphragm condenser models from the MC 900 series. In addition to the proven MC 930 (cardioid pattern ), the series is expanded to include the MC 910 with an omnidirectional polar pattern and MC 950 with super-cardioid polar pattern.
Use
These two microphones are first-class tools for studio and stage and extend the MC 900 series models, making MC series microphones the right choice for all applications, both for high-quality recording and for transmitting acoustic signals. First choice are the MC 900 microphones for miking choirs, orchestras (as main microphone in various stereo arrangements or as support microphone), but also for recording solo instruments or for example on theater stages these microphones are hard to beat.