The Korg ARP Odyssey Analogue Synthesizer is a complete reconstruction of the original ARP Odyssey, incorporating three generations of circuitry and combining old analogue circuitry with modern features that enhance the player experience.
In short we can now finally say the words that analogue synth players and lovers have been waiting to hear for over thirty years… “The Odyssey is back!”
Then…
The ARP Odyssey was an analogue synthesizer originally produced in 1971 by the American ARP instruments, Inc. that quickly gained a faithful following among musicians. Well respected for its high value, playability and portability, the ARP Odyssey underwent several updates and improvements during its lifespan and continued to be a best-seller until manufacturing stopped in 1981 due to economic hardships and the beginning of the digital age. The ARP Odyssey’s sound has been heard on numerous classic songs over the last three decades and was a key figure throughout the golden age of synth music.
Now…
In 2015, KORG has brought back the ARP Odyssey with the advisory assistance of David Friend (the co-founder of ARP instruments) KORG has completely reproduced the original circuitry and together they have recreated the sound and the feel of the original. Every detail has been intricately considered and has stayed true to the original – even down to the semi-hard case.
The original ARP Odyssey was a 2VCO duo-phonic instrument with its most distinctive feature being the sharp, penetrating sounds and rich tonal variation. It had a variety of functions and modulations fuelled by the oscillator sync, sample & hold, pulse width modulation, high-pass filter, two types of envelope generator, and pitch bending using the PPC, it was able to create a versatile and spectral range of sounds. The 2015 ARP Odyssey reproduces the sounds of these original components at the circuit level. All of the parts were carefully sourced with no detail spared to replicate the original unit’s distinct synthesis.
There were three versions of the original ARP divided mainly by the date of production. The major differences being the filter circuit. TYPE I (Rev1) is a 12 dB/Oct circuit that produces a sharp, punchy sound. TYPE II (Rev2) is a 24dB/Oct filter with classy sounding lows. Type III (Rev3) maintains excellence stability even through high resonance. These distinctive features have all been reproduced exactly as they originally were and the 2015 ARP allows you to select either one you wish to use with a single selector switch.
The original ARP odyssey had different portamento behaviours for each of the versions Rev1 and Rev 2/3. Again, the 2015 allows you to choose your preferred version with one selector switch.
To match the modern age of tiny and exciting gadgets, the 2015 ARP has been downsized to 86% of its original size. Carefully selected parts have been used to provide an operating experience that doesn’t suffer from the downsize and, in fact, feels smoother than before - whilst retaining the compact nature of the design, the playability has not been compromised. The 37 keys cover a wide range of octaves.
In order to provide a more powerful analogue sound, a DRIVE switch has been provided as a handy new function. Engagement of this switch allows the VCA to distort, generating a raucous, rough, raw and beautifully crunchy sound.
Another modern day feature is that of the output connectors. The connectors outboard on the original series differed by production date. The 2015 version is based on the Rev3 version with additions of MIDI IN connector and a USB-MIDI port. There is also a headphone jack with designated volume control.
This version comes with quarter–inch and mini-size patch cables included allowing you to connect the newly added headphone jack to the external audio input jack, you will be able to be your own God of sound and produce a thunderous and powerful self-feedback…
You can also connect the GATE OUT jack to the TRIG IN jack then the EG will not be triggered, allowing you to play legato!
Finally, of all the various designs that differed by production date, the ARP Odyssey 2015 uses the Rev3 design. This being a sleek black panel silk-screened in orange.
The main features of the Korg ARP Odyssey Analogue Synthesizer include:
I have a Behringer Odyssey which I was quite pleased , but never really entirely satisfied with. They always say, that if you do not know what you miss then you do not miss it. Well I do now. My Behringer broke down a month and a half ago and has gone out for repair for a second time now, so I decided to get the ARP Odyssey. My goodness what a difference!
If I had had chance to play this synth before I ordered the Behringer, I would not have ordered the Behringer, even though it is about £200 cheaper. The ARP sounds glorious and is an all respects a class better than the Behringer and well worth the difference in price, even though it does not have a sequencer or built-in effects!
What I like most about the ARP Odyssey is the sound. It is superb. Despite it being able to create the weirdest of noises, you would not think possible with a synth, the sound is organic and there is a warmth and depth to it that none of my other synthesizers have. I can see why this instrument has endured almost 50 years.
It takes only a short while to get used to the somewhat less orthodox workflow, this synth has clearly evolved from the 2600 for that matter. But once you understand the workflow, it is easy to create an almost unlimited range of superb sounding patches, from punchy bases to ethereal pads.
The sample and hold functionality in the ARP is second to none, given you have up to 4 different sources available for it, of which you can choose two at a time. This allows for great self generated pseudo sequences.
The slider ranges and responses are superb, a lot better than on the Behringer, making fine adjustment child's play. I sometimes hear people complain about the 86% sizing of this synth, but I don't at all see the issue. In fact I like it because it leaves more room on the desk! And I cannot find any disadvantage of this in controlling or playing the synth.
I have given this synth 5/5 for features, despite it not having a built in sequencer or effects. If you take the ARP Odyssey on its own merit, then it is very feature rich. It has CV, Gate and Trigger in a out, low and high audio out, headphone out with separate volume control. pedal and portamento switch inputs, midi in, three filter choices, sample and hold with 4 input sources, about a dozen of modulation destinations, two envelope generators (ADSR and AR), a superb sounding ring modulator, a VCO that can double as an additional free running LFO, and much much more.
Whilst the Behringer has a sequencer and effects, I never really used them. Both are pretty substandard compared to the sequencers and effects in all my other synths. They did not enhance the Behringer and I do not miss them in the ARP at all.
I am actually grateful that the Behringer broke down, because I may not have decided to get the ARP Odyssey. I am converted. If you have the extra £200 go for the ARP, if not, save up for it!