Your Feedback

ANTELOPE Edge Note

(1)

Item: REC0016165-000

Compare list
Recommend

Information on the disposal of old devices

Small-diaphragm modeling condenser microphone with 13 real-time emulations of classic studio microphones All product info

Standard Shipping (1-2 business days)

The most visited Music Store in Europe. On 22,000 m² of retail and logistics space.

export@musicstore.com+49 (0)221 / 88 84 - 1610

INTERACTIVE
CATALOGUE
MORE THAN 3.000
PRODUCT VIDEOS
Free Shipping
from 69 €
3 YEARS
WARRANTY
55.000 PRODUCTS
READY TO SHIP

Antelope Edge Note

Small diaphragm modeling condenser microphone

Features:

13 microphone emulations of classic microphone models
Back-electret design for transparent, balanced sound and precise transient response
Cardioid pickup pattern suitable for a wide range of recording situations
Frequency response of 20Hz-20kHz covers the entire audible spectrum
Signal-to-noise ratio of 69 dB
Pad attenuation switch (-10db and -20dB) improves close miking of loud sources and provides a clean signal without distortion.
Maximum sound pressure level of 146 dB
High-pass filter switch (75Hz and 115Hz) eliminates low-frequency noise and compensates for proximity effect
Metal housing and black matte finish Finish for style and durability
Shock mount included to eliminate unwanted vibration and for easy positioning
48V DC phantom power required

Included microphone emulations

Aalborg 4006
Berlin 184
Berlin K53
Berlin K54
Berlin K86
Freiburg 6
Hamburg 211
Hamburg 40
Hamburg 441
Illinois 57
Illinois 7B
Perth 55
Vienna D112

Technical data:

Diaphragm type: back electret condenser
Diaphragm diameter: 0.63" (16.1mm)
Polar pattern: cardioid
Frequency response: 20Hz ~ 20kHz
Sensitivity: -42dB | 8mV/Pa (+/-3dB)
SNR: 69dB (A)
Maximum input SPL: 146dB
Output impedance: 65 ohms
Power requirements: 48V DC phantom power
Output connector: 3-pin XLR connector
Color: Black, matte
Dimensions (microphone housing): 4.5" x 0.8" (114mm x 20mm)
Mounting bracket: shock mount type
Breakout cable: not included

Included in delivery:

Edge Note small condenser microphone
Instructions for the first steps
Shock mount

Note: iLok 2 or 3 required to use emulations as native plug-ins in your DAW

Small condenser modeling microphone: the Antelope Edge Note.

A next-generation modeling microphone with impressive recording capabilities that lets you get creative using the sound of more than a dozen classic microphone models. The Edge Note is the perfect studio solution for recording a wide range of musical instruments. Thanks to its exceptionally high SPL and additional features such as pad attenuation and high-pass filter, the Edge Note is the ideal choice for instrumentalists, sound engineers and studio operators looking for a flexible, high-quality and affordable recording tool.

Innovation with all the classics

The Edge Note takes on the character of some of the best small-diaphragm microphones available, delivering amazing detail and realism. A total of 13 microphone emulations reproduce the sound of legendary microphones used in the best recordings of the last century. They can be used in real time with an Antelope interface (via Synergy Core Processing). If the user does not have an Antelope interface, native plug-in emulation is available for any DAW and the microphone emulations can be easily applied to the dry audio recording. However, in this case iLok 2 or 3 is required to use emulations as native plug-ins in your DAW.

The key to transparent recordings

The Edge Note's flat frequency response delivers an exceptionally clean signal. Recording the smallest details of an acoustic guitar or a graceful cello becomes an easy task.
The neutral capture of audio signals without dramatically boosting frequencies across the spectrum ensures that microphone emulations are as close as possible to the emulated original microphone when in use.

Loudness is no longer an obstacle

With an astonishing 146 dB sound pressure level, the Edge Note is an excellent choice for recording the loudest sources. Bring out the best in a drummer's performance or a blaring trumpet solo without overdriving the transducer. For particularly demanding scenarios, the attenuator can reduce the level and -10 or -20 dB. In addition, the high-pass filter makes it easier to handle the low frequencies and the negative aspects of proximity effect.