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The
The digital mixer has 48 input channels. Each input channel can be connected to a main or alternative source. Each input signal is automatically used in mono or stereo, depending on the source mode. It is also no longer necessary to mix channels with a stereo pair. Each channel audio can then be sent to the busses or mains for mixing, or tapped individually to connect the outputs directly.
The features also include 16 stereo buses and 4 main outputs. The 16 stereo buses are typically used for broadcast-like effect processing or monitor mixing and are often sent to one of the 4 main outputs. Both busses and mains can be sent to matrix, user signals or output destinations.
An additional 8 Matrix buses can be sent to user signals or output destinations and are often used for sub- or zone-mixes.
The
For a better overview each fader has a mini display, the so-called
The most important operating elements of the
6 encoders at the bottom of the screen allow fine parameter setting of the displayed elements. An additional 7th encoder and a multifunction button on the right side of the screen can be used for context related control.
The navigation arrows and scrub wheel perform functions related to DAW control, USB audio and
In addition, the
The digital mixer also has special level controls for the headphone outputs and monitor outputs (which are set to Aux output 7/8 on the rear panel by default). The talkback microphone level can be adjusted using the
The built-in shannel strip provides quick access to the primary parameters for the currently selected channel. A display screen provides specific editing details for the parameter to be set, and various displays for input configuration, bus and group assignment, and measurement are visible at all times. One of 7-channel editing blocks (including EQ) can be sent directly to the editing screen by pressing the corresponding key or touching the capacitive knob directly above it.
The additional 4-channel section above the right fader section offers a special control area with 4 knobs, 4 control keys and parameter displays for e.g. gain, pan or filter. By pressing one of the 8 buttons, the 4 knobs and 4 control buttons can control the channel properties without selecting the channel for editing. This makes the 4-channel section independent of the main control surface.
The custom control allows up to 4 knobs and 8 control buttons to be configured to control specific items that should be available at all times regardless of the focus of the main screen. A common use could be the Reverb Send Level of the vocal channel. The presets can also be configured for different sets, venues, operators, etc.
The rear panel analog connectors include 8 microphone preamps and 8 XLR outputs from the award-winning MIDAS PRO series as well as 8 balanced ¼" aux inputs and outputs. A single lamp connector accepts a standard 12V light. The 5-pin MIDI IN and OUT jacks provide external MIDI control, and 2 ¼" TRS jacks for GPIO provide basic input and output commands.
Ethernet ports allow you to build a network using a router for wired or wireless control with one of the control apps for PC, smartphone or tablet. A USB port enables bi-directional 48-channel transmission, firmware updates and data exchange. An ASIO driver can be downloaded from behringer.com.
A total of 3 AES50 ports can each provide up to 48 input and output channels to and from digital stageboxes, providing a large number of channels and allowing patching from multiple locations. The
Finally, the
The
In order to make patching easier even in dark locations, Behringer has thought of a Patchbay lighting system. On the back of the device there is an LED strip for better illumination of the connections.
