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Manley Massive Passive Mastering Version

Item: REC0006600-000

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Perhaps the ultimate studio EQ for mastering and delivering powerful tonal control with character. All product info

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Manley MASSIVE PASSIVE MASTERING

Stereo Tube EQ, Mastering Version

ultimate studio EQ for mastering and delivering powerful tonal control with character
All-Passive tone sculpting circuitry
Unique Shelf curves use the "bandwidth" control
Overlapping and Interleaved Frequency choices
Every band switchable to shelf or bell
Vacuum tube make-up gain and line drivers
Parallel symmetrical topology
Premium components throughout
HP and LP Filters plus gain trims
Ins and Outs Balanced XLR and 1/4 inch (accepts unbalanced)
Level +4 dBm nominal, internal switches for -10 operation
Bypass Switch bypasses EQ and tube circuits (not hardwire)
44 Frequencies (roughly 1/4 octave spacing)
Frequency Range: 22 Hz to 27 kHz
EQ Boost/Cut Range: Maximum 11dB boost or cut
Nominal Q range: 1.5 to 3 (uniquely active in shelf modes
Frequency Response: +/- 2 dB: 8 Hz to 60 kHz
Maximum Output @ 1.5% THD +37 dBv; + 26dBv @ 20 Hz
THD and Noise (1kHz @ +4 dBm): 0.06 %
Noise Floor (referred to + 4dBm): -85 dB (A Weight)
Dynamic Range: 120 dB
Tube Complement: 5751 x 2, 6414 x 4
Power Consumption 72 watts
Size (3U): 19 x 5.25 x 10 inches
Weight: Unit 21 lbs. Shipping weight: 27 lbs

Manley MASSIVE PASSIVE MASTERING Stereo Tube EQ

Manley MASSIVE PASSIVE MASTERING Stereo Tube EQ back

Stereo Equalizer by Manley

The Manley MASSIVE PASSIVE MASTERING Stereo Tube EQ, Mastering Version. Perhaps the ultimate studio EQ for mastering, offering powerful tonal control with character.

The mastering version of the Manley Massive Passive features mechanically detented knobs for the gain and bandwidth controls. The Massive Passive is a passive design and not a "true parametric" EQ, as the gain and bandwidth controls intentionally interact. This allows for uniquely flexible tone shaping, but without consistent dB steps.

The mastering version provides finely tuned filters that are specifically tailored for mastering purposes, allowing for both low and high frequencies to be processed, which are not covered in the standard version. The master gain trim control is a true 11-position 1/2 dB Grayhill switch, ensuring precise left/right matching and calibration.