The Studiologic Numa Stage Piano is in competition with various stage pianos such as Ketron's GP1 and the F-20 from Roland. Among the special features of the Studiologic NUMA stage are not only impressive sounds and the exceptional keyboard, but also the versatile Master-keyboard functions.
The TP/100LR keyboard from Fatar satisfies the highest demands and reproduces every nuance of your play with the 3-sensor system allowing fast repetitions. Naturally you can select between various Velocity Curves so that the perfect settings for every player can be found
The sound generator of the Studiologic NUMA Stage was, for the most part, adopted from the NUMA Concert. This DSPcontrolled sound generator with Stereo multi-samples has impressed musicians and producers in the past. Thanks to the new high-quality piano sounds (concert grand and stage grand) the Studiologic NUMA Stage delivers better sound results, expanded by the Physical Modelling. The Studiologic developed True Sound (TrS) technology with 12 high-quality sounds in total is rounded off by the modulation effects and three reverb effects.
When the Studiologic NUMA Stage is used as a Master-keyboard, two zones can be configured completely independently of each other. Parameters such as Program Change, LSB Bank, MSB Bank, MIDI channel and octaves can be assigned to the two zones. The zones can naturally also be played split or layered, whatever is required for the performance.
The main features of the Studiologic Numa Stage include:
Numa Stage is not like a typical American/Japanese keyboard. It is clearly different and in practice very functional.
Straight thinking and direct action, no complicated menus or studying manuals. Amount of sounds and features is limited, but what you have is high quality - and you will be using the features. For me there is everything I need when playing with band live.
Great acoustic pianos, e-pianos with genuine effects. Organ sounds suffer maybe the most of the limitation, ,but this is not a B3 clone anyway.
But the most surprised I was about the key action with the Fatari velocity recognition. 3 sensor version of the TP/100 compared to 2 sensor version is amazingly better feeling, more versatile and a joy to play. And the velocity recognition somehow makes a difference also.
Love to play this instrument, what ever the music - classical, jazz, blues or something else.