Godin Multiac Grand Concert Deluxe

• Electro-acoustic solid-body style concert guitar.
• Solid cedar top with multi-ply bindings
• Mahogany body with two sound chambers
• Mahogany neck with Richlite fingerboard and 19 frets
• Classic tuners with 16:1 ratio and screwed buttons
• 651,7 mm scale length and 50,8 mm nut width made of GraphTech TUSQ
• L.R. Baggs pickup system Lyric Mic and Gold HEX Saddles
• High gloss finish
• Bag included

The Godin Multiac Grand Concert Deluxe at a glance

The Godin Multiac Grand Concert Deluxe offers the possibility to give a powerful and warm concert guitar sound to the best. Especially for genres that require a large instrumentation with percussion instruments, the robust concert guitar is perfectly suited. A clever construction, high-quality tone woods and extensive electronics guarantee the player an authentic sound experience. In terms of playability, the manufacturer focuses on traditional construction methods. The neck has a nut width of 50.8 mm and is equipped with 19 frets. A robust bag is included in delivery.

Construction and woods

The secret to the natural sound is a solid cedar top, which colors the tone with a warm and saturated note. A mahogany body with two sound chambers provides an almost attack and powerful bass frequencies. To ensure obliging playability the flat mahogany neck is equipped with a Richlite fingerboard, which has a slight radius and is easy to reach even in the higher registers thanks to a generous cutaway.

Design and Hardware

For the appropriate feel, the body is designed to be flat but quite large. So the handling of the instrument is amazingly close to an acoustic classical guitar. The noble high gloss finish and fine bindings give the Godin Multiac Grand Concert Duet Ambiance the final touch and round off the overall picture in a very tasteful way. The headstock is equipped with chrome-plated classical tuners, which allow precise tuning of the 6 nylon strings due to their 16:1 ratio.

Electronics

The high-quality pickup system was developed in cooperation with the manufacturer L.R. Baggs and convinces with its extensive equipment. Equipped with individual Gold HEX Saddles and a Lyric microphone, the system is largely responsible for an authentic sound. The preamp can be conveniently operated via five sliders, which (viewed from the outside in) can be used to adjust the master volume, treble, midrange, bass frequencies and to blend between the pickup points. A separate switch can be used to activate tape saturation for each. The preamp is completed by a phase switch, which can prevent possible feedback.