Uw feedback

Polyend Press

Artikel: SYN0009102-000

Nieuw!

Vergelijkingsoverzicht
Aanbevelen

Masteringeffect, stereocompressor, analoog, parallelle compressie, tilt EQ, sidechainfilter, LED VU-meter, stereosignaalpad Alle productgegevens

We helpen u graag!

Export
export@musicstore.com
+49 (0)221 / 88 84 - 1610
+49 (0)221 / 88 84 - 2500

INTERACTIEVE
CATALOGUS
MEER DAN 3000
PRODUCTVIDEO'S
EASY
TERUGKEREN NAAR
3 JAAR
GARANTIE
55.000 PRODUCTEN
BEREID VOOR VERZENDING

Productinformatie Polyend Press

Mastering compressor in desktop format

Mastering effects pedal
Stereo compressor
fully analog signal path
parallel compression
Tilt EQ
30dB make-up gain
Sidechain filter
LED VU meter
Stereo/Mono switchable signal path
Sidechain input & Thru
Stereo In & Out (with insert cable or balanced cable)
Robust aluminum housing

With PRESS, Polyend presents a fully analog Stereo compressor for Live acts and producers with a focus on Hardware. The compact and robust device offers the crisp, natural response of classic analog rack devices and at the same time has functions that are rarely found even in current studio devices. In addition to standard parameters such as attack, release, threshold, ratio and make-up gain, PRESS has a special tilt EQ that adds highs and cuts lows to the wet signal, making the compressed signal even more versatile. However, the highlight is probably the parallel compression, which creates a mix of the processed and unprocessed signal. Thanks to the sidechain input, PRESS is able to trigger the compression process with a separately fed kick drum, for example. The sound spectrum of the sidechain signal can be shaped with a two-band filter. Press has a genuine stereo signal path, the inputs and outputs are equipped with stereo jack sockets. The signal path can be switched to mono using a toggle switch. This gives you the freedom to choose whether to use PRESS at the stereo output of a groovebox, at the channel or bus insert of a mixer or at the end of a signal chain. The sound of the desktop compressor is reminiscent of the DBX 1066 without copying it exactly. Flattening and compressing works just as well as subtle attenuation and better control of transients.